{"id":5035,"date":"2022-03-11T10:10:23","date_gmt":"2022-03-11T10:10:23","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=5035"},"modified":"2022-03-23T08:29:01","modified_gmt":"2022-03-23T08:29:01","slug":"69-martovski-festival-selekcija-dokumentarnog-filma-preko-50-minuta","status":"publish","type":"page","link":"https:\/\/2022.martovski.rs\/en\/69-martovski-festival-selekcija-dokumentarnog-filma-preko-50-minuta\/","title":{"rendered":"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA"},"content":{"rendered":"(Srpski) <p>[vc_row][vc_column][vc_custom_heading text=&#8221;SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA&#8221;][vc_empty_space][vc_column_text]<strong>Predstavljamo program filmova iz selekcije 69. Martovskog festivala, koji se\u00a0 takmi\u010de u kategoriji dokumentarnog filma preko 50 minuta.<\/strong><\/p>\n<p><a href=\"http:\/\/martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01.jpg\"><img loading=\"lazy\" class=\"aligncenter size-large wp-image-5073\" src=\"http:\/\/martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/2022.martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01-1024x1024.jpg 1024w, https:\/\/2022.martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01-300x300.jpg 300w, https:\/\/2022.martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01-150x150.jpg 150w, https:\/\/2022.martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01-768x768.jpg 768w, https:\/\/2022.martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01-70x70.jpg 70w, https:\/\/2022.martovski.rs\/wordpress\/wp-content\/uploads\/2022\/03\/Martovski-2022-sajt-01.jpg 1080w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Duga resa<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Fringe Infringe<\/span><\/p>\n<p>2021 \/ 61\u2019 42\u2019\u2019<\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>\u0160kart<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Vladimir \u0160ojat<\/strong><\/p>\n<p>Glumi \/\u00a0<span class=\"CyrLatIgnore\">Cast<\/span><\/p>\n<p><strong>Milica Savi\u0107 Mica<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>FRAKCIJA \u2013 Filmska revolucionarna akcija<\/strong><\/p>\n<p>Doma\u0107ica Mica S. iz predgra\u0111a, ukra\u0161avaju\u0107i resama tegle zimnice, dolazi do pronalaska koji \u0107e promeniti \u017eivot mnogih do kojih doputuju njene navlakvake.<\/p>\n<p><span class=\"CyrLatIgnore\">Suburban housewife Mica S. while decorating jars with fringes, invents door-knobs that will touch many lives.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34477 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Duga-resa-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Duga-resa-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Duga-resa--300x169.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Duga-resa--768x432.jpg 768w\" alt=\"\" width=\"1000\" height=\"562\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Duga-resa-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Evo sada vidi\u0161 sa mo\u017ee<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">And now you can see it is possible<\/span><\/p>\n<p>2020\/21 \/ 147\u2019<\/p>\n<p>Re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Directed by<\/span><\/p>\n<p><strong>Slobodan Simojlovi\u0107<\/strong><\/p>\n<p>Scenario \/\u00a0<span class=\"CyrLatIgnore\">Written by<\/span><\/p>\n<p><strong>Biljana Maksi\u0107<\/strong><\/p>\n<p>Saradnici na scenariju \/\u00a0<span class=\"CyrLatIgnore\">Written in collaboration with<\/span><\/p>\n<p><strong>Zorica Koji\u0107, Dragan Ambrozi\u0107, Slobodan Simojlovi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Dragan Ambrozi\u0107, Uro\u0161 Markovi\u0107<\/strong><\/p>\n<p>Glume \/\u00a0<span class=\"CyrLatIgnore\">Cast<\/span><\/p>\n<p><strong>Elektri\u010dni orgazam<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>RTS<\/strong><\/p>\n<p>U trenutku kada gotovo cela Jugoslavija stoji u kordonima \u017ealosti, zbog smrti druga Tita godine 1980, grupa mladih ljudi u podrumu neumorno tra\u017ei svoj put da ka\u017ee ne\u0161to o svetu koji vidi i do\u017eivljava. Iako se po\u010detkom osamdesetih u\u010dinilo da \u0107e se dru\u0161tvene okolnosti promeniti i da \u0107e sa svojom idejnom sabra\u0107om, muzi\u010darima iz generacije \u201cnovog talasa\u201d zauvek obezbediti svoje mesto na jugoslovenskoj rok sceni, nova isku\u0161enja su pred njih postavljala prepreke pred kojima bi mnogi odustali. Ipak, Elektri\u010dni orgazam su uvek iznova pokazivali neverovatnu otpornost, zastupaju\u0107i plemenitu dimenziju rokenrola, koja im je obezbedila trajanje do dana\u0161njih dana, kada su postali uzor mnogim mladim zaljubljenicima u zvuke, ritmove i re\u010di ve\u010dno slobodnog roka. Kroz naraciju o poku\u0161ajima grupe Elektri\u010dni orgazam da odr\u017ei koncert kojim bi proslavila svojih 40 godina rada, ali zbog pandemije ne uspeva da na\u0111e salu, na svetlo dana izlazi ne samo cela istorija ove jedinstvene grupe, nego i cele epohe, pri\u010da o tome \u0161ta je predstavljao rokenrol kao \u017eivotno iskustvo u na\u0161im krajevima.<\/p>\n<p><span class=\"CyrLatIgnore\">In 1980, when Yugoslavia mourns the death of Comrade Tito, a group of young people in a basement relentlessly search for their way to express themselves about the world around them. The 1980s started with a promise of a change of social environment and a secure spot for Elektri\u010dni Orgazam in the Yugoslav rock scene, along with their \u201cnew wave\u201d companions. But soon, the band faced ordeals that would force many others to give up. However, Elektri\u010dni Orgazam continued to demonstrate incredible endurance, representing the noble dimension of rock and roll, enabling them to keep going to this day, turning them into role models for many young lovers of sounds and rhythms and words of the eternally free rock music. The story about the efforts of Elektri\u010dni Orgazam to hold a concert celebrating 40 years of work, but due to the pandemic failure to find a venue, is also a story about the history of this unique band and what rock and roll meant as a way of life in our region.<\/span><\/p>\n<p><strong>Svetska festivalska premijera<\/strong>\u00a0\/<span class=\"CyrLatIgnore\">\u00a0World festival premiere<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34478 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic.jpg\" sizes=\"(max-width: 1714px) 100vw, 1714px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic.jpg 1714w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic-300x240.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic-1024x818.jpg 1024w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic-768x614.jpg 768w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic-1536x1228.jpg 1536w\" alt=\"\" width=\"1714\" height=\"1370\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Evo-sada-vidis-da-moze-foto-Goranka-Matic.jpg\" data-srcset=\"\" \/><\/p>\n<p>Foto: Goranka Mati\u0107<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Gde je dom?<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Where is home?<\/span><\/p>\n<p>2020 \/ 53\u2019 41\u2019\u2019<\/p>\n<p>Re\u017eija \/<span class=\"CyrLatIgnore\">\u00a0Directed by<\/span><\/p>\n<p><strong>Sa\u0161a Peri\u0107<\/strong><\/p>\n<p>Scenario \/\u00a0<span class=\"CyrLatIgnore\">Written by<\/span><\/p>\n<p><strong>Sa\u0161a Peri\u0107, Petar Mitri\u0107, Demir Meki\u0107, Neboj\u0161a Petrovi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Nevena Nikoli\u0107, Petar Mitri\u0107<\/strong><\/p>\n<p>Glume \/\u00a0<span class=\"CyrLatIgnore\">Cast<\/span><\/p>\n<p><strong>Dragan Jovanovi\u0107, Sla\u0111an Todorovi\u0107<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>IGNIS &amp; Beogradski centar za ljudska prava<\/strong><\/p>\n<p>Sla\u0111an i Dragan su dvojica mladi\u0107a \u010dije odrastanje je bilo dosta druga\u010dije od odrastanja ve\u0107ine njihovih vr\u0161njaka. Obojica su kao veoma mladi dospeli u dom za nezbrinutu decu, na mesto koje je trebalo da za njih bude uto\u010di\u0161te od porodi\u010dnih problema. Gotovo 20 godina nakon dolaska u dom oni se prise\u0107aju najranijih dana svog detinjstva, prvih utisaka iz doma, iskustava koja su ih zauvek obele\u017eila, odnosa sa drugom decom i vaspita\u010dima, te\u0161kih i lepih trenutaka, izazova i prepreka preko kojih su morali pre\u0107i nakon zapo\u010dinjanja samostalnog \u017eivota. Kroz njihove pri\u010de prelama se jedan poseban pogled na odrastanje i porodicu, prijateljstvo i ljubav, patnju i usamljenost, hrabrost i istrajnost.<\/p>\n<p><span class=\"CyrLatIgnore\">Sla\u0111an and Dragan, two young men, had a quite different upbringing than most other children. They both arrived at a children\u2019s home at a very young age, supposedly a refuge from family problems. Almost 20 years later, they remember the earliest days of their childhood, first impressions of the children\u2019s home, experiences that marked them forever, relationships with other children and staff members, difficult and beautiful moments, challenges and obstacles they had to overcome after starting an independent life. Their stories offer a unique view of growing up and family, friendship and love, suffering and loneliness, courage and endurance.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34479 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Gde-je-dom-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Gde-je-dom-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Gde-je-dom--300x169.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Gde-je-dom--768x432.jpg 768w\" alt=\"\" width=\"1000\" height=\"562\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Gde-je-dom-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Glum\u010dina<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">More than an actor<\/span><\/p>\n<p>2021 \/ 66\u2019 59\u2019\u2019<\/p>\n<p>Re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Directed by<\/span><\/p>\n<p><strong>Vladimir Risti\u0107<\/strong><\/p>\n<p>Scenario \/\u00a0<span class=\"CyrLatIgnore\">Written by<\/span><\/p>\n<p><strong>Po knjizi \u201e\u010carobnjak Radmilovi\u0107\u201c Milana Cacija Mihailovi\u0107a<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Based on the book\u00a0<em>Wizard Radmilovi\u0107<\/em>\u00a0by Milan Caci Mihailovi\u0107<\/span><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Oliver Paunovi\u0107<\/strong><\/p>\n<p>Glume \/\u00a0<span class=\"CyrLatIgnore\">Cast<\/span><\/p>\n<p><strong>Zdravko \u0160otra, Du\u0161an Kova\u010devi\u0107, Mira Banjac, Aljo\u0161a Vu\u010dkovi\u0107, Seka Sabli\u010d, Goran Markovi\u0107, Svetlana Bojkovi\u0107, Goran Sultanovi\u0107<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong><span class=\"CyrLatIgnore\">City Production<\/span>\u00a0Ni\u0161<\/strong><\/p>\n<p>Svedo\u010danstva ljudi koji su godinama sara\u0111ivali sa Zoranom Radmilovi\u0107em u pozori\u0161tu i na filmu. Veliki oslonac u filmu je arhivski materijal, ogromna gra\u0111a koja je ostala iza Zorana i koja predstavlja riznicu kulturne ba\u0161tine Srbije.<\/p>\n<p><span class=\"CyrLatIgnore\">Testimonies of people who worked with Zoran Radmilovi\u0107 in theater and film for years. The film largely relies on substantial archival material that remained behind Zoran, creating the gem of the Serbian cultural heritage.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34480 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1.jpg\" sizes=\"(max-width: 1919px) 100vw, 1919px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1.jpg 1919w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1-300x169.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1-1024x576.jpg 1024w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1-768x432.jpg 768w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1-1536x864.jpg 1536w\" alt=\"\" width=\"1919\" height=\"1079\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Glumcina_1.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Koreni<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Roots<\/span><\/p>\n<p>2021 \/ 79\u2019 47\u2019\u2019<\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>Tea Luka\u010d<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Andrijana Sofrani\u0107 \u0160u\u0107ur<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>NANA 143<\/strong><\/p>\n<p>Senzorno-etnografsko iskustvo o ljudima i prirodi zarobljenim u vremenu.<\/p>\n<p><span class=\"CyrLatIgnore\">Sensorial-ethnographic experience about people and the environment trapped in time.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34481 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Koreni-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Koreni-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Koreni--300x158.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Koreni--768x403.jpg 768w\" alt=\"\" width=\"1000\" height=\"525\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Koreni-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Pejza\u017ei otpora\u00a0<\/strong>\/\u00a0<span class=\"CyrLatIgnore\">Landscapes of Resistance<\/span><\/p>\n<p>2021 \/ 95\u2019 59\u2019\u2019<\/p>\n<p>Srbija, Francuska, Nema\u010dka \/\u00a0<span class=\"CyrLatIgnore\">Serbia, France, Germany \u00a0<\/span><\/p>\n<p>Re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Directed by<\/span><\/p>\n<p><strong>Marta Popivoda<\/strong><\/p>\n<p>Scenario \/\u00a0<span class=\"CyrLatIgnore\">Written by<\/span><\/p>\n<p><strong>Marta Popivoda, Ana Vujanovi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Marta Popivoda, Dragana Jovovi\u0107, Jasmina Sijer\u010di\u0107<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>Teorija na Delu \/\u00a0<span class=\"CyrLatIgnore\">Theory at Work<\/span><\/strong><\/p>\n<p>Fim bele\u017ei putovanje kroz se\u0107anja antifa\u0161isti\u010dke borkinje Sonje (97), jedne od prvih partizanki u Jugoslaviji, koja je bila i me\u0111u vo\u0111ama pokreta otpora u Au\u0161vicu. Pu\u0161tamo njenu pri\u010du da putuje kroz vreme, ka telima novih generacija antifa\u0161ista, sugeri\u0161u\u0107i da je uvek mogu\u0107e misliti i vr\u0161iti otpor.<\/p>\n<p><span class=\"CyrLatIgnore\">The film records a journey through the memories of the anti-fascist fighter Sonja (97), one of the first partisans in Yugoslavia and the resistance movement leader in Auschwitz. We let her story travel through time towards the new generations of anti-fascists, suggesting that it is always possible to think and fight.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34482 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Pejzazi-otpora-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Pejzazi-otpora-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Pejzazi-otpora--300x150.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Pejzazi-otpora--768x384.jpg 768w\" alt=\"\" width=\"1000\" height=\"500\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Pejzazi-otpora-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rampart<\/strong>\/\u00a0<span class=\"CyrLatIgnore\">Rampart<\/span><\/p>\n<p>2021 \/ 62\u2019 10\u2019\u2019<\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>Marko Grba Singh<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Marko Grba Singh, Jelena Angelovski<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>Nanslafu films<\/strong><\/p>\n<p>U napu\u0161tenom stanu na obodu Beograda, se\u0107anja na no\u0107ne more uporno se prepli\u0107u sa uspomenama iz detinjstva. Dedin video rekorder, ku\u0107ni ljubimci, porodi\u010dna okupljanja i prizori iz neizvesnih 1998. i 1999. otkrivaju svakodnevni \u017eivot obuhva\u0107en istorijskim doga\u0111ajem.<\/p>\n<p><span class=\"CyrLatIgnore\">In an abandoned apartment on the Belgrade outskirts, flashbacks of nightmares keep intertwining with childhood memories. Grandpa\u2019s VCR, pets, family gatherings and scenes from the precarious 1998 and 1999 reveal everyday life in the backdrop of a historical event.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34483 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Rampart.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Rampart.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Rampart-300x169.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Rampart-768x432.jpg 768w\" alt=\"\" width=\"1000\" height=\"562\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Rampart.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sre\u0107na Nova, Jivu<\/strong>\/ Merry Christmas, Yiwu<\/p>\n<p>2020 \/ 94\u2019<\/p>\n<p>Srbija, \u0160vedska, Nema\u010dka, Francuska, Belgija, Katar \/\u00a0<span class=\"CyrLatIgnore\">Serbia, Sweden, Germany, France, Belgium, Qatar<\/span><\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>Mladen Kova\u010devi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Iva Plemi\u0107 Divjak, Mario Adamson<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>Horopter Filmska Produkcija<\/strong><\/p>\n<p>Intiman film o svakodnevici kineskih radnika, izme\u0111u komunisti\u010dke tradicije i novoustanovljenog kineskog sna o uspehu, vodi nas u Jivu, grad sa 600 fabrika bo\u017ei\u0107nih ukrasa, u kojima se Bo\u017ei\u0107 proizvodi za ceo svet.<\/p>\n<p><span class=\"CyrLatIgnore\">An intimate film about the everyday life of Chinese workers, between the communist tradition and the newly established Chinese dream of success, takes us to Jiva, a city with 600 factories of Christmas decorations, where they produce Christmas for the entire globe.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34484 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Srecna-Nova-Jivu-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Srecna-Nova-Jivu-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Srecna-Nova-Jivu--300x169.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Srecna-Nova-Jivu--768x432.jpg 768w\" alt=\"\" width=\"1000\" height=\"562\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Srecna-Nova-Jivu-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Telenovela sivo u koloru<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Telenovela Greyscale in Color<\/span><\/p>\n<p>2021 \/ 63\u2019<\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>Filip Martinovi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Filip Martinovi\u0107, Nikola Savi\u0107evi\u0107<\/strong><\/p>\n<p>Glume \/\u00a0<span class=\"CyrLatIgnore\">Cast<\/span><\/p>\n<p><strong>Filip Martinovi\u0107,\u00a0<span class=\"CyrLatIgnore\">Asha Broenn<\/span><\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong><span class=\"CyrLatIgnore\">GULU GULU presenta<\/span><\/strong><\/p>\n<p>Koprodukcijska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Co-production company<\/span><\/p>\n<p><strong><span class=\"CyrLatIgnore\">Cinnamon<\/span>\u00a0i Fakultet dramskih umetnosti<\/strong><\/p>\n<p>Ro\u0111en u Beogradu, odrastao u Barseloni, Filip postavlja sebi jedno, na prvi pogled, jednostavno pitanje \u2013 odakle sam? U potrazi za odgovorima, zajedno sa A\u0161om, Etiopljankom \u010dija je pro\u0161lost jo\u0161 komplikovanija od njegove, odluta\u0107e na daleka mesta na kojima im se privi\u0111aju scene iz \u0161panskih serija.<\/p>\n<p><span class=\"CyrLatIgnore\">Born in Belgrade, raised in Barcelona, Filip asks himself one, at first glance, simple question \u2013 where am I from? In search of answers, together with Asha, a young Ethiopian woman with an even more complicated background than his, they will wander to distant places where they imagine scenes from telenovelas.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34485 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru.jpg\" sizes=\"(max-width: 1998px) 100vw, 1998px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru.jpg 1998w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru-300x162.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru-1024x554.jpg 1024w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru-768x415.jpg 768w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru-1536x830.jpg 1536w\" alt=\"\" width=\"1998\" height=\"1080\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Telenovela-sivo-u-koloru.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Viktorija, 15<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Viktorija, 15<\/span><\/p>\n<p>2020 \/ 52\u2019<\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>Mina Petrovi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Ikonija Jefti\u0107, Jovana Karauli\u0107, Miodrag Popovi\u0107<\/strong><\/p>\n<p>Glume \/<span class=\"CyrLatIgnore\">\u00a0Cast<\/span><\/p>\n<p><strong>Viktorija Milo\u0161evi\u0107, Selena Simi\u0107, Nada Rajakovi\u0107<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>Akcija produkcija, FORGRADE<\/strong><\/p>\n<p>Viktorija je bubnjarka \u010dija interesovanja i ambicije dosti\u017eu svoj pun potencijal tokom leta 2019. godine, zahvaljuju\u0107i Rok kampu za devoj\u010dice.<\/p>\n<p><span class=\"CyrLatIgnore\">Victoria\u2019s drumming interests and ambitions reach full potential during the summer of 2019, thanks to the Rock Camp for Girls.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34487 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Viktorija-15-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Viktorija-15-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Viktorija-15--300x158.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Viktorija-15--768x405.jpg 768w\" alt=\"\" width=\"1000\" height=\"527\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Viktorija-15-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Volterov osmeh ili filmsko pismo francuskom prijatelju<\/strong>\u00a0\/<span class=\"CyrLatIgnore\">\u00a0Voltaire\u2019s Smile or, a Film letter to a French Friend<\/span><\/p>\n<p>2020 \/ 63\u2019<\/p>\n<p>Re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Directed by<\/span><\/p>\n<p><strong>Nikola Stojanovi\u0107<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Jovan Markovi\u0107<\/strong><\/p>\n<p>Naracija \/\u00a0<span class=\"CyrLatIgnore\">Narration<\/span><\/p>\n<p><strong>Tihomir Stani\u0107<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>Film i Ton<\/strong><\/p>\n<p>Reditelj Nikola Stojanovi\u0107 posve\u0107uje ovaj film Patriku Besonu i Francuskoj. Pariz je bio grad u kome je Stojanovi\u0107 sta\u017eirao pre nego \u0161to je po\u010deo da se bavi filmom profesionalno. Ovo je njegov presek razmi\u0161ljanja o zemlji koja ima kompleksan odnos sa Srbijom.<\/p>\n<p><span class=\"CyrLatIgnore\">Director Nikola Stojanovi\u0107 dedicates this film to Patrick Besson and France. Paris was where Stojanovi\u0107 did his internship before he started professionally making films. This is a breakdown of his thoughts about a country that has a complex relationship with Serbia.<\/span><\/p>\n<p><strong>Beogradska premijera<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">Belgrade premiere<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34488 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Volterov-osmeh-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Volterov-osmeh-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Volterov-osmeh--300x159.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Volterov-osmeh--768x408.jpg 768w\" alt=\"\" width=\"1000\" height=\"531\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/Volterov-osmeh-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u017d\u017d\u017d (\u017durnal o \u017delimiru \u017dilniku)<\/strong>\u00a0\/\u00a0<span class=\"CyrLatIgnore\">\u017d\u017d\u017d (Journal About \u017delimir \u017dilnik)<\/span><\/p>\n<p>2021 \/ 90\u2019<\/p>\n<p>Scenario i re\u017eija \/\u00a0<span class=\"CyrLatIgnore\">Written and directed by<\/span><\/p>\n<p><strong>Janko Baljak<\/strong><\/p>\n<p>Produkcija \/\u00a0<span class=\"CyrLatIgnore\">Produced by<\/span><\/p>\n<p><strong>Sini\u0161a Bokan<\/strong><\/p>\n<p>Producentska ku\u0107a \/\u00a0<span class=\"CyrLatIgnore\">Production company<\/span><\/p>\n<p><strong>Arbos<\/strong><\/p>\n<p>Road movie dokumentarac kroz poluvekovnu\u00a0 filmografiju \u017delimira \u017dilnika. Ali i putovanje kroz istoriju\u00a0 Jugoslavije, zemlje koje vi\u0161e nema. Specifi\u010dnim stilom\u00a0 dokudrame, koji je godinama gradio, \u017dilnik je snimaju\u0107i niskobud\u017eetne filmove decenijama uspeo da ostane anga\u017eovan i hrabar, ali iznad svega slobodan. Pri\u010da o neprekidnoj\u00a0 borbi za obespravljene socijalne i manjinske grupe, koje su neprekidno glavni junaci \u017dilnikovih filmova.<\/p>\n<p><span class=\"CyrLatIgnore\">A road movie documentary exploring half a century of \u017delimir \u017dilnik\u2019s filmmaking. But also a journey through the history of Yugoslavia, a country that no longer exists. With his specific docudrama style built over the years, \u017dilnik managed to address all essential topics and remain brave, but above all free, by making low-budget films. This is a story about the constant struggle for disenfranchised social and minority groups, the enduring main heroes of \u017dilnik\u2019s films.<\/span><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-34489 lazy-loaded\" src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/ZZZ-.jpg\" sizes=\"(max-width: 1000px) 100vw, 1000px\" srcset=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/ZZZ-.jpg 1000w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/ZZZ--300x225.jpg 300w, https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/ZZZ--768x576.jpg 768w\" alt=\"\" width=\"1000\" height=\"750\" data-lazy-type=\"image\" data-src=\"https:\/\/domomladine.org\/wp-content\/uploads\/2022\/03\/ZZZ-.jpg\" data-srcset=\"\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>*****************************************<\/p>\n<p><strong>Selekciona komisija takmi\u010darskog programa 69. Martovskog festivala:<\/strong><\/p>\n<p><strong>Dragana Latinovi\u0107<\/strong>, rediteljka i producentkinja<\/p>\n<p><span id=\"CyrLatWrap\"><strong>Darko Kovi\u0107<\/strong>, snimatelj, monta\u017eer, reditelj i producent<\/span><\/p>\n<p><span id=\"CyrLatWrap\"><strong>Igor M. Toholj<\/strong>, filmski i TV monta\u017eer, autor dokumentarnih i eksperimentalnih filmova<\/span><\/p>\n<p><strong><span id=\"CyrLatWrap\">Ivan Velisavljevi\u0107<\/span><\/strong><span id=\"CyrLatWrap\">, dramaturg i filmski kriti\u010dar<\/span><\/p>\n<p>Umetni\u010dki direktor Martovskog festivala:\u00a0<strong>Dejan Dabi\u0107<\/strong><\/p>\n<p><span id=\"CyrLatWrap\"><strong>Martovski festival \u2013 69. Beogradski festival dokumentarnog i kratkometra\u017enog filma bi\u0107e odr\u017ean od 29. marta do 2. aprila 2022. godine u Domu omladine Beograda, koji je i organizator doga\u0111aja.<\/strong><\/span><\/p>\n<p><a href=\"http:\/\/www.martovski.rs\/\"><span class=\"CyrLatIgnore\">www.martovski.rs<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>(Srpski) [vc_row][vc_column][vc_custom_heading text=&#8221;SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA&#8221;][vc_empty_space][vc_column_text]Predstavljamo program filmova iz selekcije 69. Martovskog festivala, koji se\u00a0 takmi\u010de u kategoriji dokumentarnog filma preko 50 minuta. &nbsp; Duga resa\u00a0\/\u00a0Fringe Infringe 2021 \/ 61\u2019 42\u2019\u2019 Scenario i re\u017eija \/\u00a0Written and directed by \u0160kart Produkcija \/\u00a0Produced by Vladimir \u0160ojat Glumi \/\u00a0Cast Milica Savi\u0107 Mica Producentska ku\u0107a \/\u00a0Production company [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2022.martovski.rs\/69-martovski-festival-selekcija-dokumentarnog-filma-preko-50-minuta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA\" \/>\n<meta property=\"og:description\" content=\"Predstavljamo program filmova iz selekcije 69. 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