{"id":5101,"date":"2022-03-15T17:38:50","date_gmt":"2022-03-15T17:38:50","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=5101"},"modified":"2022-03-18T11:31:11","modified_gmt":"2022-03-18T11:31:11","slug":"69-martovski-festival-medjunarodna-selekcija","status":"publish","type":"page","link":"https:\/\/2022.martovski.rs\/en\/69-martovski-festival-medjunarodna-selekcija\/","title":{"rendered":"(Srpski) ME\u0110UNARODNA SELEKCIJA"},"content":{"rendered":"(Srpski)

[vc_row][vc_column][vc_custom_heading text=”ME\u0110UNARODNA SELEKCIJA”][vc_empty_space][vc_column_text]Predstavljamo program filmova iz me\u0111unarodne selekcije 69. Martovskog festivala, koji se\u00a0 takmi\u010de u kategoriji kratkog filma (dokumentarni, igrani, animirani i eksperimentalni).<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Bakin seksualni \u017eivot<\/strong>\u00a0\/\u00a0Babi\u010dino seksualno \u017eivljenje \/ Granny\u2019s Sexual Life<\/span><\/p>\n

Francuska, Slovenija \/\u00a0France, Slovenia<\/span><\/p>\n

Animirani \/\u00a0Animation \u00a0<\/span><\/p>\n

2021 \/ 13\u2019 \u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Ur\u0161ka Djuki\u0107<\/span><\/p>\n

Ko-re\u017eija i animacija \/\u00a0Co-directed and animated by<\/span><\/p>\n

\u00c9milie Pigeard<\/span><\/p>\n

Glasovi \/\u00a0Voices by<\/span><\/p>\n

Doroteja Nadrah, Jure Henigman, Mara Vilar, Bo\u017eena Zabret, Bojana Cigli\u010d<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Bo\u0161tjan Virc, Olivier Catherin, Edwina Liard, Nidia Santiago<\/span><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Studio Virc, Co-produced by Ikki Films<\/span><\/p>\n

\u010cetiri starice se prise\u0107aju starih vremena kad su bile mlade i koliko su tada bili druga\u010diji odnosi izme\u0111u mu\u0161karaca i \u017eena. Njihovi glasovi se spajaju u jedan, glas bake Vere, koja detaljno pri\u010da svoju pri\u010du. Izlet u bakinu mladost i se\u0107anja na njen intimni \u017eivot ilustruju polo\u017eaj slovena\u010dkih \u017eena u prvoj polovini 20. veka.<\/p>\n

Four old women reflect on their memories of old times when they were young and how different the relationships between men and women were back then. Their voices merge into one single voice, that of the grandmother Vera, who tells her story in proper detail. A trip into grandmother\u2019s youth and the memories of her intimate life illustrate the status of Slovenian women in the first half of the 20th century.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Branka<\/strong>\u00a0\/\u00a0Branka<\/span><\/p>\n

Ma\u0111arska \/\u00a0Hungary<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0<\/span><\/p>\n

2021 \/ 20\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

\u00c1kos K. Kov\u00e1cs<\/span><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

\u00c1kos K. Kov\u00e1cs, Tam\u00e1s Ol\u00e1h<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

G\u00e1bor Osv\u00e1th, Zsuzsi Gyurin<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Dina Mu\u0161anovi\u0107, Dorottya Ant\u00f3ci, Nenad Pe\u0107inar, Nat\u00e1lia Vicei<\/span><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Salamandra Film, Filmfabriq<\/span><\/p>\n

Jugoslavija, 1991. Daleko od rati\u0161ta, Branka se zapo\u0161ljava u porodili\u0161tu dr\u017eavne bolnice. Mlada \u017eena je sasvim sama, ali ispostavlja se da usamljenost nije najte\u017ei teret koji Branka mora da nosi. Iz bolnice nestaju novoro\u0111ene bebe.<\/p>\n

Yugoslavia, 1991. Far away from the war zones, Branka gets a job at a maternity ward of a state hospital. The young woman is all alone, but it turns out loneliness is not the hardest burden Branka has to carry. Newborns are disappearing from the hospital.<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Fender<\/strong>\u00a0\/\u00a0Fender<\/span><\/p>\n

Hrvatska \/\u00a0Croatia<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0<\/span><\/p>\n

2022 \/ 22\u2019 16\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Bojan Radanovi\u0107<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Maja Gros<\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Frano Ma\u0161kovi\u0107, Anja Matkovi\u0107, Andrej Radanovi\u0107<\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademija dramske umjetnosti Zagreb<\/p>\n

Leto 1991, Zapadna Slavonija. Nenad (40) kao Srbin dobija otkaz iz novouspostavljene hrvatske policije i ose\u0107a pritisak zbog sve ve\u0107e politi\u010dke nestabilnosti u zemlji. Kako bi za\u0161titio svoju porodicu, on napu\u0161ta Hrvatsku ube\u0111en da je to samo privremeno i da \u0107e uskoro svi opet biti na okupu.<\/p>\n

It was summer 1991 in Western Slavonia. Nenad (40), since he is a Serb, was recently fired from the newly established Croatian police, and due to the growing political aggravation in the country, he is under pressure. In order for his family to be spared, he decides to leave Croatia, convinced that this solution is temporary and that soon everyone will be together again.<\/span><\/p>\n

Svetska premijera<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Interfon 15<\/strong>\u00a0\/\u00a0Intercom 15<\/span><\/p>\n

Rumunija \/\u00a0Romania<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0<\/span><\/p>\n

2021 \/ 22\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Andrei Epure<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Ana-Maria Gheorghe, Alexandru Teodorescu<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Cosmina Stratan, Mihaela S\u00eerbu, Ana Ciontea, Marius Ghica<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Saga Film<\/span><\/p>\n

Stanari zati\u010du ispred zgrade \u017eenu u nesvesti. Ona stanuje na tre\u0107em spratu, ali niko joj ne zna ime. Dok \u010dekaju hitnu pomo\u0107, kom\u0161ije razmi\u0161ljaju o njenom i sopstvenim \u017eivotima.<\/p>\n

Several residents discover an unconscious woman lying in front of the block. Even though she lives on the third floor, nobody knows her name. While waiting for rescue, the neighbours reflect on her life and their own.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Jeni, malo svetlo sa zapada<\/strong>\u00a0\/ Jeni, malo svjetlo sa zapada \/\u00a0Jenny, little ray of light from the west<\/span><\/p>\n

Republika Srpska, Bosna i Hercegovina \/\u00a0Republic of Srpska, Bosnia and Herzegovina<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary \u00a0\u00a0<\/span><\/p>\n

2021 \/ 33\u2019 25\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Slobodan Simojlovi\u0107<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Snje\u017ean Lalovi\u0107, Nata\u0161a Kula\u0161inac<\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Kinoteka Republike Srpske i Mati\u010dna biblioteka Isto\u010dno Sarajevo<\/p>\n

Holan\u0111anka Jeni Ligtenberg do\u0161la je 1993. u Pale, ratnu prestonicu Republike Srpske, kako bi donela pomo\u0107 u lekovima ratnim bolnicama. Nije verovala izve\u0161tajima zapadnih medija o karakteru rata u Bosni i Hercegovini, niti je verovala da su Srbi onakvi kakve ih ti mediji predstavljaju. Umesto da se nakon isporuke lekova vrati u mirnu Holandiju, ostala je do kraja rata u Palama u ratnoj bolnici Koran, dele\u0107i sudbinu medicinskog osoblja koje je tamo radilo i srpskog naroda kojeg je dodatno zavolela. Za svoj anga\u017eman, od strane predsednika Republike Srpske, odlikovana je ordenom \u201eKrst milosr\u0111a\u201c. Tokom 3 ratne godine vodila je dnevnik koji predstavlja autenti\u010dno svedo\u010denje o ratnom periodu. Po povratku u Holandiju svojim prijateljima pri\u010dala je svoje vi\u0111enje srpskog naroda, ali \u0161to je vreme vi\u0161e proticalo, sve je manje bilo onih koji su je hteli slu\u0161ati i biti sa njom, \u010dak i njena rodbina. Na kraju, uz nju je ostala samo njena k\u0107erka.<\/p>\n

Jenny Ligtenberg came to Pale, the war capital of Republika Srpska, in 1993 from her native Netherlands to deliver medical aid for war hospitals. She didn\u2019t believe the Western media reports on the character of the war in Bosnia and Herzegovina, nor the image of the Serbs represented by those media. Instead of returning to the peaceful Netherlands after delivering medicine, she remained in the Koran war hospital on Pale until the end of the war, sharing the fate of the local medical staff and the Serbian people she loved even more. For her efforts, she was awarded the Order of the Charity Cross by the President of the Republika Srpska. During the three war years, she kept a diary, an authentic testimony about the war period. Upon her return to the Netherlands, she told her friends about the Serbian people, but as years went by, fewer and fewer people were willing to listen to her and be with her, even her relatives. In the end, only her daughter remained with her.<\/span><\/p>\n

Srpska festivalska premijera<\/strong>\u00a0\/\u00a0Serbian festival premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Klub ti\u0161ine<\/strong>\u00a0\/\u00a0Club Silencio \/ Silent Club<\/span><\/p>\n

\u0160panija \/\u00a0Spain<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2021 \/ 18\u2019 32\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Irene Albanell Mellado<\/span><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Lara Stoop<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Christian Egea<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Eva Llorach, Nicole Ferrer, Anna Mendos<\/span><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

ESCAC Films<\/span><\/p>\n

Desetogodi\u0161nja Martina provodi popodne sa majkom Alehandrom. Majka i c\u0301erka se odli\u010dno razumeju, ali njihov odnos se komplikuje zbog Alehandring dodira s drogama.<\/p>\n

An afternoon that Martina, a ten-year-old kid, spends with her mother, Alejandra. Mother and daughter have incredible chemistry, but their relationship gets complicated because of Alejandra\u2019s contact with drugs.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Ko je ovde lud?<\/strong>\u00a0\/\u00a0Tko je ovdje lud? \/ Who Is Crazy Here?<\/span><\/p>\n

Hrvatska \/\u00a0Croatia<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary \u00a0\u00a0<\/span><\/p>\n

2021 \/ 49\u2019 39\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Bernardin Modri\u0107<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Tiha Modri\u0107<\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Istra film<\/p>\n

Psihi\u010dki obolele osobe u Domu Turni\u0107 (Rijeka) nizom aktivnosti poku\u0161avaju da se vrate u svakodnevni \u017eivot zajednice i uklone predrasude s kojima se sre\u0107u. Oni glume, pevaju, imaju svoju radio emisiju na Radio Rijeci (2017. progla\u0161ena najboljom radio emisijom u Hrvatskoj) i \u017eive u stambenim zajednicama izvan Doma, gde se ose\u0107aju ravnopravni sa zdravim osobama.<\/p>\n

People with mental health issues from the Turni\u0107 Home (Rijeka) are trying to return to the community\u2019s everyday life through different activities and remove the prejudices they face. They act, sing, have their own radio show on Radio Rijeka (named the best radio show in Croatia in 2017) and live in residential communities outside the Home where they feel equal to healthy people.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Kom\u0161inica Lu<\/strong>\u00a0\/\u00a0Le voisin de Lou \/ Lou\u2019s Neighbour<\/span><\/p>\n

Francuska \/\u00a0France<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2021 \/ 18\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Victoria Lafaurie & Hector Albouker<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Igor Auz\u00e9py, St\u00e9phane Demoustier<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Lou Lampros, Mathieu Capella<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ann\u00e9e Z\u00e9ro<\/span><\/p>\n

Vladimir, 17, je tajno zaljubljen u kom\u0161inicu Lu. Kada Lu odlu\u010di da se preseli kod svog de\u010dka koji je deset godina stariji od nje, Vladimir poku\u0161ava da potisne ljubomoru i da joj pomogne.<\/p>\n

Vladimir, 17-years-old, is secretly in love with his neighbour Lou. When Lou decides to leave her home to move in with her boyfriend \u2013 a man ten years older than her \u2013 Vladimir tries to put his jealousy aside to help her.<\/span><\/p>\n

Regionalna premijera<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Laboratorija br. 2<\/strong>\u00a0\/\u00a0\u062a\u0627\u0642\u06cc\u06af\u06d5\u06cc \u0698\u0645\u0627\u0631\u06d52<\/span>\u00a0\/\u00a0Laboratory NO.2<\/span><\/p>\n

Irak, Iran \/\u00a0Iraq, Iran<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2021 \/ 16\u2019 17\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Edris Abdi, Aware Omar<\/span><\/p>\n

Glumi \/\u00a0Cast<\/span><\/p>\n

Heme Tofiq<\/span><\/p>\n

Pri\u010da o starcu koji vec\u0301 14 godina radi na odeljenju za obdukciju Univerziteta medicine Sulejmanija. Tokom svih 14 godina radi na jednom le\u0161u. Kona\u010dno odlazi u penziju.<\/p>\n

The story of an old man who has been working in the autopsy department of Sulaimaniyah University of Medical Sciences for 14 years. During these 14 years, he works on a corpse. He finally retires.<\/span><\/p>\n

Evropska premijera \/\u00a0European premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Marko<\/strong>\u00a0\/\u00a0Marko<\/span><\/p>\n

Hrvatska, Srbija, Francuska, Slovenija \/ Croatia, Serbia, France, Slovenia<\/div>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2021 \/ 17\u2019 15\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Marko \u0160anti\u0107<\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Goran Vojnovi\u0107<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Jure Bu\u0161i\u0107, Sla\u0111ana Petrovi\u0107 Varagi\u0107, Dejan Petrovi\u0107, Jordane Oudin, Jure Vizjak<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Fe\u0111a Stojanovi\u0107, Mate Gulin, Snje\u017eana Sinov\u010di\u0107 \u0160i\u0161kov, Trpimir Jurki\u0107<\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Jaka produkcija, NFC Filmart, Hippocampe productions, Invida \u00a0<\/span><\/p>\n

Marko i Ankica nikada nisu preboleli smrt sina jedinca Ante, koji je poginuo u ratu. Na predlog kom\u0161ije Stipe da Antinu sobu iznajme turistima Marko se duboko uvredi, ali Ankica ga nagovori da pristane. Iznajmljivanje soba je lak izvor zarade, naro\u010dito starijim osobama. Ipak, Marka mu\u010di \u010dinjenica da u krevetu njegovog sina sada spava nepoznati mu\u0161karac.<\/p>\n

Marko and Ankica never gotten over the death of their only child Ante in the war. When their neighbour Stipe suggests renting son\u2019s room to tourists, Marko sees that as an insult but Ankica manages to talk him into it. Renting rooms is easy money, especially for retired people, but having an unknown man sleeping in son\u2019s bed troubles Marko a lot.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Milosrdni An\u0111eo<\/strong>\u00a0\/\u00a0Merciful Angel<\/span><\/p>\n

Ma\u0111arska, Srbija \/\u00a0Hungary, Serbia<\/span><\/p>\n

Animirani \/ Animation<\/p>\n

2021 \/ 9\u2019 39\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Bettina Sremko<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

J\u00f3zsef F\u00fcl\u00f6p<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

MOME \u00a0<\/span><\/p>\n

Animirani dokumentarac o vazdu\u0161nim napadima NATO-a 1999. godine na biv\u0161u Jugoslaviju. Doga\u0111aje mo\u017eemo sagledati o\u010dima dvojice de\u010daka i njihovih porodica. Kombinacijom 3D<\/span>\u00a0animacije i 2D<\/span>\u00a0rotoskopije u dokumentarnom maniru posmatramo gotovo realisti\u010dne likove i sekvence sna i straha izazvanog ratnom. Film je inspirisan intervjuima u kojima su u\u010desnici pri\u010dali svoje pri\u010de. Pri\u010de su zatim sastavljene, stvarajuc\u0301i vizuelni narativ razumljiv \u010dak i onima koji nikada nisu do\u017eiveli sli\u010dnu situaciju.<\/p>\n

An animated documentary about the NATO airstrikes that occurred in 1999 in the former Yugoslavia. We can get a glimpse of the events through the eyes of two young boys and their families. Through the combination of 3D animation and 2D rotoscopy, we can observe almost lifelike characters in a documentary manner, and dream sequences that can convey the fear that came with the war situation unfolding. The movie was inspired by interviews, where the subjects participating told their own stories. These stories were then put together, building up a visual narrative that\u2019s understandable even for those who never experienced a similar situation.<\/span><\/p>\n

Svetska premijera<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Molafon<\/strong>\u00a0\/\u00a0Molaphone<\/span><\/p>\n

\u0160panija \/\u00a0Spain<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2021 \/ 14\u2019 32\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Daniel Padr\u00f3<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Mar Targarona & Joaquin Padr\u00f3<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Rodar y Rodar Cine S.L.<\/span><\/p>\n

Francisko poku\u0161ava da raskine ugovor sa telefonskim operaterom. Ono \u0161to je trebalo da bude obi\u010dna formalnost, pretvara se u kafkijansku no\u0107nu moru.<\/p>\n

Francisco is trying to cancel his contract with his phone provider. What was supposed to be a mere formality becomes a Kafkaesque nightmare.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Novi Vavilon<\/strong>\u00a0\/\u00a0New Babylon<\/span><\/p>\n

Holandija \/\u00a0Netherlands<\/span><\/p>\n

Animirani \/\u00a0Animation<\/span><\/p>\n

2021 \/ 20\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Gideon van der Stelt<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Bram Suijker, Tine Cartuyvels, Titus Muizelaar, Dionne Verwey<\/span><\/p>\n

Nemoguc\u0301i grad je sastavljen od ogromnih rotirajuc\u0301ih prstenova koji upravljaju \u017eivotima svojih usamljenih stanovnika. Film prati tri lika koji \u017eive povu\u010deno i predstavlja vizuelno putovanje kroz depresivnu noc\u0301 u kojoj se savremeni, individualisti\u010dki \u017eivot ogleda u kru\u017enoj metropoli.<\/p>\n

An impossible city is built up out of enormous rotating rings, steering the lives of its lonely inhabitants. The film follows three characters living secluded lives and is a visual trip through an oppressive night in which contemporary, individualistic life is reflected in a circular metropole. \u00a0<\/span><\/p>\n

Svetska premijera<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Pad kralja ibisa<\/strong>\u00a0\/\u00a0Fall of the Ibis King<\/span><\/p>\n

Irska \/\u00a0Ireland<\/span><\/p>\n

Animirani \/\u00a0Animation<\/span><\/p>\n

2021 \/ 10\u2019<\/p>\n

Re\u017eija i produkcija \/\u00a0Directed and produced by<\/span><\/p>\n

Mikai Geronimo & Josh O\u2019Caoimh<\/span><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Josh O\u2019Caoimh<\/span><\/p>\n

Animacija \/\u00a0Animated by<\/span><\/p>\n

Mikai Geronimo, Giorgia McKenna, \u00a0Josh O\u2019Caoimh, \u00a0Charles-Henri Sanson<\/span><\/p>\n

Koprodukcija \/\u00a0Co-produced by<\/span><\/p>\n

Damien Byrne<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Sean McManus, Ava Farrel, Eoin O\u2019Sullivan, Jack McHugh, Anna Lawlor, Conor McNally, Aisling Smith<\/span><\/p>\n

Antagonista mra\u010dne opere je sve uznemireniji nakon nenadanog povratka biv\u0161eg glavnog glumca.<\/p>\n

The antagonist of a dark opera becomes increasingly unsettled following the unlikely return of the former lead actor.<\/span><\/p>\n

\"\"<\/p>\n

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Pesma goluba<\/strong>\u00a0\/\u00a0K\u00ebnga e P\u00ebllumbit \/ A Pigeon\u2019s Song<\/span><\/p>\n

Belgija \/\u00a0Belgium<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2021 \/ 16\u2019 12\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Eneos \u00c7arka<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Frederic Nikolai<\/span><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

DocNomads<\/span><\/p>\n

Autor filma \u010dita dnevnike svog pradede pisane dok je robijao pod diktaturom Envera Hod\u017ee u kojima se stalno pominje golub na prozoru \u0107elije. Pesma tog goluba se \u010duje i danas i zatvara krug porodi\u010dne istorije.<\/p>\n

While reading the diaries of his great-grandfather, imprisoned during the dictatorship of Hoxa in Albania, the director recognises the pigeon outside his window that kept him company during his incarceration. A short circuit leads him to reflect on the open wounds of family history.<\/span><\/p>\n

Regionalna premijera<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n

\"\"<\/p>\n

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Poenta pri\u010de<\/strong>\u00a0\/\u00a0Punto de giro \/ Plot Point<\/span><\/p>\n

\u0160panija \/\u00a0Spain<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0<\/span><\/p>\n

2021 \/ 08\u2019 06\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Ainhoa Men\u00e9ndez<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Ainhoa Men\u00e9ndez & Nuria Landete<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Marta Guerras, Vito Sanz<\/span><\/p>\n

Klara i Luis se sva\u0111aju. Nije im prvi put i uvek je tema ista. Klarin posao je prepreka Luisovoj \u017eelji da ima porodicu.<\/p>\n

Clara and Luis have an argument. It\u2019s not the first and it\u2019s always over the same issue. Clara\u2019s job interferes with Luis\u2019 desire to have a family.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

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Poslednji dah<\/strong>\u00a0\/\u00a0Dame Akhar \/ Last Breath<\/span><\/p>\n

Iran \/\u00a0Iran<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2020. \/ 9\u201927\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Farshid Ayoobinejad<\/span><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Shiva Shiri, Farshid Ayoobinejad<\/span><\/p>\n

Produkcija \/ Produced by<\/span><\/p>\n

Rahman Haseli<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Omid Shahmoradi, Morteza Najafi, Saeid Ahmadi, Hamed Sheikhi, Reza Nili<\/span><\/p>\n

Tek prido\u0161li vojnik u zatvoru dobija nare\u0111enje da pogubi zatvorenika izmicanjem stolice ispod njegovih nogu, ali on ne \u017eeli da ubije i da ga grize savest, tako da preduzima rizi\u010dne radnje kako bi izbegao izvr\u0161enje nare\u0111enja. Zbog toga mu se de\u0161avaju neo\u010dekivane stvari.<\/p>\n

A newcomer soldier of the jail is ordered to execute a prisoner (to push the stool beneath his feet), but he is afraid of killing a person and feels guilty, so he takes some risky and dangerous actions to indirectly avoid following the orders. As a result, unexpected events happen to him during that time.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

\"\"<\/p>\n

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Priru\u010dnik<\/strong>\u00a0\/\u00a0Handbuch \/ Handbook<\/span><\/p>\n

Nema\u010dka, Belorusija \/\u00a0Germany, Belarus<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary \u00a0<\/span><\/p>\n

2021 \/ 26\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Pavel Mozhar<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Kolja Wolle, Pavel Mozhar<\/span><\/p>\n

Nakon predsedni\u010dkih izbora u Belorusiji u avgustu 2020, \u0161irom zemlje izbijaju brojni protesti. Specijalna policija preduzima brutalne akcije protiv demonstranata. Uhap\u0161eno je skoro 7000 ljudi. Stotine \u017ertava prepri\u010davaju svoja iskustva u intervjuima, otkrivaju\u0107i sistem represije, dok re\u017eiser u Berlinu sve to uredno bele\u017ei.<\/p>\n

After the presidential election in Belarus in August 2020, numerous protests erupt throughout the country. The special police take brutal action against demonstrators. Almost 7000 people are arrested. Hundreds of victims recount their experiences in interviews, revealing a system of repression, which is reconstructed in the director\u2019s room in Berlin.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

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Pro\u0111oh jednom<\/strong>\u00a0\/\u00a0Once I passed<\/span><\/p>\n

Nema\u010dka \/\u00a0Germany<\/span><\/p>\n

Eksperimentalni \/\u00a0Experimental \u00a0\u00a0<\/span><\/p>\n

2022 \/ 10\u2019<\/p>\n

Re\u017eija i produkcija \/\u00a0Directed and produced by<\/span><\/p>\n

Martin Gerigk<\/span><\/p>\n

Volt Vitmen je jedan od najzna\u010dajnijih pesnika ameri\u010dke knji\u017eevnosti. Bilo je mnogo naga\u0111anja o njegovom privatnom \u017eivotu. Vitmen nikada nije javno pisao o svojim vezama. Godine 1860. objavio je pesmu \u201ePro\u0111oh jednom kroz mnogoljudni grad\u201c, aforisti\u010dan prikaz romanti\u010dne veze s nepoznatom \u017eenom. Godine 1925. otkrivena je originalni rukopis pesme. Vitmen me\u0111utim,ne pi\u0161e o \u017eeni, vec\u0301 o ljubavnoj vezi s mu\u0161karcem u anonimnom gradu, \u0161to je mo\u017eda bilo njegovo prvo iskustvo fizi\u010dke ljubavi.<\/p>\n

Walt Whitman is one of the most important poets in American literature. Many have speculated about his private life to this day. Whitman never wrote publicly about his relationships. In 1860, he published his poem\u00a0Once I Passed Through a Populous City<\/em>, an aphoristic account of a romantic relationship with an unknown woman. In 1925, the original handwritten copy of the poem was discovered. Whitman writes, however, not about a woman but about an affair with a man in an anonymous city, which may have been his first physical experience of love.<\/span><\/p>\n

Svetska premijera<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n

\"\"<\/p>\n

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Severni pol<\/strong>\u00a0\/ \u0421\u0435\u0432\u0435\u0440\u0435\u043d \u041f\u043e\u043b \/\u00a0North Pole<\/span><\/p>\n

Severna Makedonija \/\u00a0North Macedonia<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2021 \/ 14\u2019 59\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Marija Ap\u010devska<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Robert Naskov<\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Antonija Belazelkoska, Luka Mitev<\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Kino Oko \/\u00a0Servia Films<\/span><\/p>\n

Maglovito polje, puna svla\u010dionica. Margo ne pripada ni tu, ni tamo. Mo\u017eda bi kona\u010dno na\u0161la svoje mesto ako bi izgubila nevinost.<\/p>\n

Misty field, crowded locker room. Margo belongs to neither. Maybe if she loses her virginity, she will finally find her place.<\/span><\/p>\n

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Sijera<\/strong>\u00a0\/\u00a0Sierra<\/span><\/p>\n

Estonija \/\u00a0Estonia<\/span><\/p>\n

Animirani \/ Animation<\/p>\n

2022 \/ 15\u201957\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Sander Joon<\/span><\/p>\n

Animacija \/\u00a0Animated by<\/span><\/p>\n

Henri Veerm\u00e4e, Valya Paneva, Teresa Baroet, Sander Joon<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Erik Heinsalu, Aurelia Aasa<\/span><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

BOP Animation O\u00dc<\/span><\/p>\n

Otac i sin gube trku. Da bi pobedili, de\u010dak se pretvara u automobilsku gumu. Inspirisan detinjstvom re\u017eisera, film nas uvla\u010di u nadrealni svet automobilskih trka.<\/p>\n

A father and his son are losing the folk race. In order to win, the boy turns himself into a car tire. Loosely inspired by the director\u2019s childhood, film pulls us into the surreal car racing world.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

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Sloboda je na otvorenom<\/strong>\u00a0\/\u00a0Outside Is Free<\/span><\/p>\n

\u0160panija \/\u00a0Spain<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2021 \/ 16\u2019 45\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Antoni Sendra<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Lorena Torres<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

\u00c0ngel F\u00edgols Llorach, Ra\u00fal Navarro, Laura Valero, Guille Zabala, Leo de Bari<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

The Fly Hunter SL<\/span><\/p>\n

Biciklista pada tokom treninga. Le\u017ei te\u0161ko povre\u0111en i nepokretan usred planine. Pojava jednog psa \u0107e odlu\u010diti sudbinu njegovog opstanka.<\/p>\n

A cyclist suffers a training accident. Badly injured and unable to move, he is trapped in the mountain. The appearance of a dog will mark the fate of his survival.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

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Svaki umetnik za sebe, svi zajedno nikad\u00a0<\/strong>\/\u00a0Svaki je umjetnik za sebe, svi zajedno nikad \/ Every Artist by Themselves, Never Quite Together<\/span><\/p>\n

Hrvatska \/\u00a0Croatia<\/span><\/p>\n

Eksperimentalni \/\u00a0Experimental \u00a0<\/span><\/p>\n

2021 \/ 8\u2019 20\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/p>\n

Jelena Blagovi\u0107<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Vanja Sremac<\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Terminal 3<\/span><\/p>\n

Reminiscencija prijateljstva s velikim umetnikom i eksperimentatorom filma Goranom Trbuljakom, inspirisana njegovim filmovima i umetnic\u030ckim radom \u201eMonografije\u201c. Dijalog autorke s Trbuljakovim fiktivnim monografijama i njihova aproprijacija, uz ispitivanje vaz\u030cnosti i vrednosti formalnog priznanja kome vec\u0301ina umetnika tez\u030ci \u2013 sopstvenoj monografiji.<\/p>\n

A reminiscence of friendship with the great artist and experimental filmmaker Goran Trbuljak, inspired by his films and his artistic work\u00a0Monographs<\/em>. The author\u2019s dialogue with Trbuljak\u2019s fictitious monographs and their appropriation, questioning the importance and value of the formal recognition that most artists aspire to \u2013 their own monograph.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

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Tramvaj<\/strong>\u00a0\/\u00a0Tramwaj \/ Tramway<\/span><\/p>\n

Poljska \/\u00a0Poland<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2021 \/ 22\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Bartosz Reetz<\/span><\/p>\n

Koprodukcija \/\u00a0Co-produced by<\/span><\/p>\n

Micha\u0142 Sadowski, Micha\u0142 \u017buberek<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Marta Kurzak, Krzysztof Ko\u0142a, Fabian Laskowski, Jacek Tarkawian<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Sartoris Film, King House<\/span><\/p>\n

Tramvaj izlazi ujutru iz gara\u017ee. Nastavnica geografije kre\u0107e na posao. Slu\u010dajan susret u tramvaju\u00a0 budi u njoj davno uspavane \u017eelje.<\/p>\n

A tram leaves the depot in the morning. As a geography teacher in her mid-thirties takes her daily commute to work, an accidental meeting in the tram awakens long-dormant desires.<\/span><\/p>\n

Svetska premijera<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n

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Ugro\u017eena ljubav<\/strong>\u00a0\/\u00a0El amor amenazado \/ Threatened love<\/span><\/p>\n

\u0160panija \/\u00a0Spain<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0<\/span><\/p>\n

2021 \/ 15\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

H\u00e9ctor Herce<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Diego Saniz, Manu Manrique<\/span><\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Dario de Maturana, Mitch Mart\u00edn, Elena Urdiales<\/span><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Kabiria Films<\/span><\/p>\n

Aleks i Feliks \u010dekaju da se Marga vrati sa odmora. Oboje su zaljubljeni u nju. I dok \u010dekaju, ma\u0161taju\u2026<\/p>\n

Alex and F\u00e9lix wait for Marga to return from her vacation. They are both in love with her. And while they wait, they fantasize\u2026<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

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Var\u0161a<\/strong>\u00a0\/\u00a0Warsha<\/span><\/p>\n

Francuska, Liban \/\u00a0France, Lebanon<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0\u00a0<\/span><\/p>\n

2022 \/ 15\u2019 42\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Dania Bdeir \u00a0<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Coralie Dias<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Inter Spinas Films<\/span><\/p>\n

Mohamed je kranista koji radi u Bejrutu. Jednog dana se dobrovoljno javlja da preuzme jednu od najvi\u0161ih i najopasnijih dizalica u Libanu. Daleko od svih pogleda, sada mo\u017ee da ostvari svoj san i na\u0111e slobodu.<\/p>\n

Mohammad is a crane operator working in Beirut. One morning, he volunteers to take on one of Lebanon\u2019s tallest and notoriously most dangerous cranes. Away from everyone\u2019s eyes, he can live out his secret passion and find freedom.<\/span><\/p>\n

Srpska premijera \/\u00a0Serbian premiere<\/span><\/p>\n

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Vesti<\/strong>\u00a0\/\u00a0Real News<\/span><\/p>\n

\u0160vajcarska, Srbija \/\u00a0Switzerland, Serbia<\/span><\/p>\n

Igrani \/\u00a0Fiction \u00a0<\/span><\/p>\n

2021 \/ 18\u2019 17\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Luka Popadi\u0107<\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Luka Popadi\u0107, Rajko Jazbec, Jovana Nikoli\u0107, Marko Stankovi\u0107<\/p>\n

Glume \/\u00a0Cast<\/span><\/p>\n

Ryan Whittle Neboj\u0161a Ljubi\u0161i\u0107 \u2013 Ljuba, Jane Slavin<\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Prababa Production, Catpics, Stankovi\u0107 & sinovi<\/span><\/p>\n

NATO bombardovanje Srbije 1999. godine. D\u017eejms, mladi novinar na svom prvom zadatku u inostranstvu, susre\u0107e se s apsurdnom realno\u0161c\u0301u pravljenja vesti i prinu\u0111en je da bira izme\u0111u karijere i moralnih principa.<\/p>\n

NATO bombing of Serbia in 1999. James, a young journalist on his first deployment abroad, is faced with the absurd reality of news production and is forced to choose between his career and his moral code.<\/span><\/p>\n

Regionalna premijera<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n

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VO<\/strong>\u00a0\/\u00a0VO<\/span><\/p>\n

Francuska \/\u00a0France<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary \u00a0\u00a0<\/span><\/p>\n

2020 \/ 19\u2019 11\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Nicolas Gourault \u00a0<\/span><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Luc-J\u00e9r\u00f4me Bailleul<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Le Fresnoy, Studio national<\/span><\/p>\n

Nesrec\u0301a sa smrtnim ishodom, izme\u0111u samovozec\u0301eg automobila i pe\u0161aka, pokrec\u0301e istragu o ulozi ljudi u pripremi automobila bez voza\u010da. Svedo\u010danstva operatera vozila nas vode kroz noc\u0301nu smenu u kojoj se pejza\u017e spaja sa podacima senzora automobila.<\/p>\n

A deadly accident between a self-driving car and a pedestrian sets off an investigation about the role of human workers in the training of driverless cars. Testimonies from vehicle operators guide us through a night shift where the landscape merges with data from the car\u2019s sensors.<\/span><\/p>\n

Srpska premijera<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n

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*****************************************<\/p>\n

Selekciona komisija takmi\u010darskog programa 69. Martovskog festivala:<\/strong><\/p>\n

Dragana Latinovi\u0107<\/strong>, rediteljka i producentkinja<\/p>\n

Darko Kovi\u0107<\/strong>, snimatelj, monta\u017eer, reditelj i producent<\/span><\/p>\n

Igor M. Toholj<\/strong>, filmski i TV monta\u017eer, autor dokumentarnih i eksperimentalnih filmova<\/span><\/p>\n

Ivan Velisavljevi\u0107<\/span><\/strong>, dramaturg i filmski kriti\u010dar<\/span><\/p>\n

Umetni\u010dki direktor Martovskog festivala:\u00a0Dejan Dabi\u0107<\/strong><\/p>\n

Martovski festival \u2013 69. Beogradski festival dokumentarnog i kratkometra\u017enog filma bi\u0107e odr\u017ean od 29. marta do 2. aprila 2022. godine u Domu omladine Beograda, koji je i organizator doga\u0111aja.<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

(Srpski) [vc_row][vc_column][vc_custom_heading text=”ME\u0110UNARODNA SELEKCIJA”][vc_empty_space][vc_column_text]Predstavljamo program filmova iz me\u0111unarodne selekcije 69. Martovskog festivala, koji se\u00a0 takmi\u010de u kategoriji kratkog filma (dokumentarni, igrani, animirani i eksperimentalni). Bakin seksualni \u017eivot\u00a0\/\u00a0Babi\u010dino seksualno \u017eivljenje \/ Granny\u2019s Sexual Life Francuska, Slovenija \/\u00a0France, Slovenia Animirani \/\u00a0Animation \u00a0 2021 \/ 13\u2019 \u2019 Scenario i re\u017eija \/\u00a0Written and directed by Ur\u0161ka Djuki\u0107 Ko-re\u017eija i […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\n(Srpski) ME\u0110UNARODNA SELEKCIJA | Martovski festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2022.martovski.rs\/69-martovski-festival-medjunarodna-selekcija\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"69. 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