Srpski
30.3.2022. / 18h // Dom omladine Beograda
Participants: Bojan Jovanović, anthropologist, writer and filmmaker; Ivan Velisavljević, filmologist; Dejan Dabić, Martovski festival Art Director; Miroljub Stojanović, Film Center Serbia
The book includes essays, interviews and authorized presentations by Bojan Jovanović on his rich film opus, alternative and experimental film, subversive and oneiric nature of cinema, the relationship between alternative and official cinematography, but also a wider code scope of these two cultures. The book also contains Jovanović’s essays on Andy Warhol, John Jost, Andrei Tarkovsky, R. W. Fassbinder …
Bojan Jovanović
Born in 1950 in Niš, where he finished elementary and high school. He received his bachelor’s, master’s and doctoral degrees in anthropology and ethnology at the Faculty of Philosophy in Belgrade, and while working at the Balkan Institute of SANU, he acquired the title of a scientific advisor.
He made over 40 alternative films, many in the production of the Students’ City Cultural Center – Academic Film Center. His most notable films: TV is the Cinema I go to Sitting in the Yard (1974), Teletheque (1975), The Found Channel (1975), Exodus (1976), Medium (1977), The Beginning (1978), The Thinking of the Eye (1979), In the Making (1980), Lennon (1981), Turmoil (1982), The Gift of the Virgin (1982), Holiday (1983), The Scenes that Ate Themselves(1984), The Process (1986), The Show (1986-87), Timed Beats of Time (1988). In the production of TV Novi Sad, he directed the films Life is a Dream (about Andrei Tarkovsky) and Collective Unconscious (about Carl Gustav Jung). Won the most significant domestic and foreign awards for his films.
